Takes 2 extra delays and roughly 10 channels/tracks for a stereo setup not including the original 2 source tracks/channels. Try these settings for Fair Warning tone on the PS-5: Delay time all the way counterclockwise, Balance Straight up in the middle, Pitch -5 cents (first selection to the left) (-10 for balance tone), Detune mode. The DigiTech Luxe is an anti-chorus, DigiTechs first stand-alone, compact, polyphonic detune pedal.
Combine this with a make shift imager matrix via using a modified dual mid/side approach and your golden. Re: Boss PS-5 vs Eventide Pitchfactor for detune effect. The cool thing about this to is it will work on stereo tracks while using stereo delays for example and you still get both the L/R taps in mono to come out in mono. This can be done live or in the mixing stage. Its ideal for use in trance, dance, techno, dubstep. That way it sounds huge in mono and stereo without phase issues. Lizard Morph is detune and morph effect designed to deliver the powerful, penetrating sounds favoured by trance musicians. There's ways around the mono summed phase issues too by basically choosing the best take (or the ADT track(s)) and keeping that for the mono mix while setting up the double tracked take to completely cancel out in when summed to mono. Or make it sound more dynamic, make the instrument sound full, or eventually emulate a chorus effect with detuning. I don’t know how much room you have on your board, the Digitech drop and EHX pitchfork are pretty small, but I used a line 6 M5 to change tunings. All double tracking (even manually) can potentially lead to phase issues, especially when the mix is summed to mono. Detuning is one of the most common, and most easiest to explain method to make a sound change it's color. Detune is the chorus effect on the bass whammy and luxe. If you want it wider and push up the volume it will start to phase or thin out eventually. kjetillunde said: Whats the closest clean compressed 80s chorus tone (Lukather, Landau) youve got with guitar pedals (not rack units) As I understand Lukather used TC1210 and a detune effect (SPX-90) for chorus and a Lexicon PCM70 for circular and pan delay. It inevitably has a bit of delay too, because there is a tiny delay involved with any pitch shifter, even studio quality ones. It will be a subtle, but noticable and effective method. Detune employs a miniscule amount of pitch shift, usually run in stereo with one side being shifted up and the other down by just one or two cents.
If you use the HAAS delay effect like 12-20ms delay and keep the level roughly 16-26db+ below the source signal (-20db usually works good) it will come out wider than without it but not phasey either. Pretty sure the original ADT (automatic double tracking) that the Beatles guy used was with a tape delay fed in parallel with the original track.
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